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Journal of Vietnamese Studies

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Đổi Mới and the Globalization of Vietnamese Art
Nora A. Taylor, Pamela N. Corey
Journal of Vietnamese Studies, Vol. 14 No. 1, Winter 2019; (pp. 1-34) DOI: 10.1525/vs.2019.14.1.1
Nora A. Taylor
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Pamela N. Corey
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Abstract

Đổi Mới reforms triggered significant changes in the Vietnamese art world, including new institutional spaces, platforms for critical discourse, and growing artistic mobility. However, it is important to question the ways in which the use of Đổi Mới as a blanket indicator of artistic reform has further constructed a homogeneous representation of “Vietnamese contemporary art.” The authors consider the relationship of Đổi Mới to the “globalization” of Vietnamese art with attention to questions of art historiography (the coining of such terms as “post-Đổi Mới Vietnamese art”) and variations in regional developments (positing local art histories against the national narrative).

Keywords:
  • Art history
  • Đổi Mới
  • historiography
  • globalization
  • contemporary art
  • regionalism
  • © 2019 by The Regents of the University of California
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Vol. 14 No. 1, Winter 2019

Journal of Vietnamese Studies: 14 (1)
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Đổi Mới and the Globalization of Vietnamese Art
Nora A. Taylor, Pamela N. Corey
Journal of Vietnamese Studies, Vol. 14 No. 1, Winter 2019; (pp. 1-34) DOI: 10.1525/vs.2019.14.1.1
Nora A. Taylor
  • Find this author on Google Scholar
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Pamela N. Corey
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Đổi Mới and the Globalization of Vietnamese Art
Nora A. Taylor, Pamela N. Corey
Journal of Vietnamese Studies, Vol. 14 No. 1, Winter 2019; (pp. 1-34) DOI: 10.1525/vs.2019.14.1.1
Nora A. Taylor
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
Pamela N. Corey
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
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